In 1982, Lorde published Zami: A New Spelling of My Name, which captures moments from her life and the growth she experienced while connecting with her identity and sexuality.
Lorde was diagnosed with breast cancer in 1978 and reflected her experiences and thoughts from treatment throughout The Cancel Journals and A Burst of Light.
Featuring poems from Lorde’s prior poetry volumes, Coal marked some of the major themes that would come to define Lorde’s career, regarding her celebration of the Black identity, her rage at social injustice, and her calls for intersectional feminist efforts i. While Lorde’s previous publications were successful, the release of Coal solidified her status as an influential figure in the Black Arts Movement. From a Land Where Other People Live earned Lorde a nomination for the National Book Award i. Lorde then published From a Land Where Other People Live in 1973, which captured her trials with her identity and frustration regarding social justice. These volumes focused largely on Lorde’s life experiences from motherhood to her sexuality. Some of her earlier published volumes of poetry are The First Cities, released in 1968, and Cables to Rage, issued in 1970. Lorde’s poetry was published throughout the 1960s in several literary journals and magazines centered around Black art. Lorde then studied at Hunter College and pursued a career as a librarian while also writing and participating in the gay culture of Greenwich Village. Upon studying at the National University of Mexico in 1954, Lorde experienced a time of what she described as “affirmation and renewal” that helped confirm her identity and profession as a lesbian poet i. Born on February 18th, 1934 in New York City to Caribbean parents, Lorde preferred using poetry as a means to communicate at a young age. A Brief Biography Of Audre LordeĪudre Lorde was a poet, a librarian, a feminist, and a civil rights activist. In Sister Outsider, Audre Lorde explores how accepting her divine feminine power and queerness particularly strengthened her voice as a poet, ultimately asserting the transformative potential of embracing one’s unique identity through her reclamation of the “Erotic” and description of queer existence. Lorde affirms and reaffirms the beauty in difference and calls to action her readers and peers to recognize it in their work and lives. Sister Outsider, a collection of Lorde’s essays and speeches, is a timelessly relevant ode to embracing one’s true identity for all of its characteristics, whether they involve one’s race, gender, or sexuality.
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